films

Capital Projections is The DC Line’s selective and subjective guide to some of the most interesting arthouse and repertory screenings in the coming week. JOKER Set in the fictional Gotham City in the early ‘80s, Joker tells the…

Capital Projections is The DC Line’s selective and subjective guide to some of the most interesting arthouse and repertory screenings in the coming week. IN FABRIC The most visually sumptuous movie of this year was officially…

Capital Projections is The DC Line’s selective and subjective guide to some of the most interesting arthouse and repertory screenings in the coming week. LINDA RONSTADT: THE SOUND OF MY VOICE A new documentary profile of singer…

Capital Projections is The DC Line’s selective and subjective guide to some of the most interesting arthouse and repertory screenings in the coming week. OFFICIAL SECRETS Keira Knightley (IFC Films) This timely but tepid…

Capital Projections is The DC Line’s selective and subjective guide to some of the most interesting arthouse and repertory screenings in the coming week. THE FANATIC John Travolta and Devon Sawa (Quiver Distribution) Social…

Capital Projections is The DC Line’s selective and subjective guide to some of the most interesting arthouse and repertory screenings in the coming week. COLD CASE HAMMARSKJÖLD (Magnolia Pictures) It wasn’t long ago that…

Capital Projections is The DC Line’s selective and subjective guide to some of the most interesting arthouse and repertory screenings in the coming week. BLINDED BY THE LIGHT Viveik Kalra (Warner Bros. Pictures) The unifying…

Capital Projections is The DC Line’s selective and subjective guide to some of the most interesting arthouse and repertory screenings in the coming week. THE NIGHTINGALE Baykali Ganambarr and Aisling Franciosi (IFC Films) With…

Capital Projections is The DC Line’s selective and subjective guide to some of the most interesting arthouse and repertory screenings in the coming week. DAVID CROSBY: REMEMBER MY NAME (Sony Pictures Classics) As a founding…

Capital Projections is The DC Line’s selective and subjective guide to some of the most interesting arthouse and repertory screenings in the coming week. ONCE UPON A TIME … IN HOLLYWOOD Many raised eyebrows when writer-director…

Capital Projections is The DC Line’s selective and subjective guide to some of the most interesting arthouse and repertory screenings in the coming week. THE ART OF SELF-DEFENSE (Bleecker Street) Lou Reed sang that it’s hard…

Capital Projections is The DC Line’s selective and subjective guide to some of the most interesting arthouse and repertory screenings in the coming week. MARIANNE & LEONARD: WORDS OF LOVE (Roadside Attractions) The…

Capital Projections is The DC Line’s selective and subjective guide to some of the most interesting arthouse and repertory screenings in the coming week. THE QUIET ONE Members of The Rolling Stones on a North American tour.…

Capital Projections is The DC Line’s selective and subjective guide to some of the most interesting arthouse and repertory screenings in the coming week. YESTERDAY (Universal Pictures) The Roman emperor Claudius, who reigned…

Half out of breath, Teonna rushes through the front door of her high school. She throws her bag and jacket onto a conveyor belt, which ushers her belongings toward an X-ray machine. She asks a classmate for the time and is relieved to…

Capital Projections is The DC Line’s selective and subjective guide to some of the most interesting arthouse and repertory screenings in the coming week. WOODSTOCK: THREE DAYS THAT DEFINED A GENERATION Joan Baez walking offstage…

Capital Projections is The DC Line’s selective and subjective guide to some of the most interesting arthouse and repertory screenings in the coming week. HALSTON (© Estate of Charles Tracy, 1973) With the recent release of…

Capital Projections is The DC Line’s selective and subjective guide to some of the most interesting arthouse and repertory screenings in the coming week. WALKING ON WATER (Kino Lorber) “This is a horror show!” That’s just one…

Capital Projections is The DC Line’s selective and subjective guide to some of the most interesting arthouse and repertory screenings in the coming week. NON-FICTION (Sundance Selects) One of the defining conflicts of…

Capital Projections is The DC Line’s selective and subjective guide to some of the most interesting arthouse and repertory screenings in the coming week. JOHN WICK: CHAPTER 3 – PARABELLUM An ultra-violent Hollywood franchise…